TEMPER TRAP, MILLION DOLLAR QUARTET, POP COP CHOPPED BY GOOGLE
Firstly, the pictures from April’s Pin Ups are NOW in the gallery. Fair warning though, they err might not feature as many crowd shots as you hope.. Secondly, tickets for May’s Pin Ups are available at the online store NOW – go get them! They’re just a fiver (entry on the night will be £7).
Now onto the music chat. On Thursday night I responded to an invitation from Pin Ups photographer Martin Craig (who has unfortunately been busy the last few months, hence the gallery snaps have been a bit shoddy) and attended the Temper Trap gig at the o2 Academy. It’s a venue I really don’t like and from what I had heard of them I didn’t think much of the Temper Trap either. So it’s a testament to Mr Craig that I was still up for the action! The Academy was as grim as usual, largely populated by the seemingly infinite number of neds and 19 year old kids who seem to lap up Academy gigs regardless of who’s actually playing. However I have to admit the Temper Trap weren’t as dreary as I expected. In fact, if they hailed from Brooklyn, and recorded their songs to sound a bit messier, I bet they would get a much less bumpy ride from the critics. It seems a bit contradictory for tastemakers like Pitchfork et al to laud bands such as TV on the Radio and/or The Hold Steady but put the boot into the Temper Trap. Fundamentally it’s all modern rock music - and personally it all holds the same potential to follow conventions and be a bit boring. Nevertheless the bit of me that likes U2 definitely likes the hit Temper Trap single “Sweet Disposition” and it was nice to see the guys in the band’s faces light up in response to the great crowd reaction for the song. Outwith that obvious highlight the set blended together with a string of undistinguished offerings, presenting me with some very easy opportunities for “isn’t this still the same song?” jokes. Their pre-encore set closer “Drum Song” deserves a bit of credit; it’s catchy. Final song “Science of Fear” was most notable for the fact that upon exiting the gig I found it easy to re-sing the song with lyrics highlighting the song's slavish and crap Radiohead-isms, with verse lyrics about obtaining Thom Yorke’s phone number and a chorus of “I saw Johnny Greeeenwood/He walked right byyyyyy me.” I guess you had to be there. I haven’t blogged for a short while because last week I was in New York with my dear old mum, and resisted the urge to take her to see Broken Social Scene in Brooklyn (no doubt the gig got 10/10 on Pitchfork…). Instead the most musical part of our holiday arose when we went to Broadway to see “Million Dollar Quartet” , which I think would be dismissively described by those aware of high art as a “jukebox musical”. (That is, there’s lots of great songs peppered by short and ropey pieces of dialogue.) I’d describe it as “fantastic fun”. As musical historians amongst you will know, the “Million Dollar Quartet” was Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins, who met up at Sun Studios for a once in a lifetime jam session in 1956. The 4 principal actors are former (or current) touring musicians, some in their first acting role, and supported by a bassist and drummer delivered fantastic renditions of a string of 50s classic rock n roll anthems. Special praise should be reserved for Levi Kreis , the actor who chews up the scenery as Jerry Lee Lewis. Finally I would like to draw to your attention that one of our guest bloggers from April’s Pin Ups, The Pop Cop, has had his blog shut down by Google because of their rather draconian interpretation of US copyright law. The Pop Cop didn’t have a lot of the content backed up and is understandably distressed that 3 years worth of content may go down the pan. All the details can be found at his Music Alliance Pact side project . Why not do a good deed for the day and email support@blogger.com, asking for the blog to be reinstated, or at least for The Pop Cop’s content to be returned to him. Cheers John D.x Posted on 17 May 2010 by admin
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